![]() Make any corrections you need via the Lumetri effect on your clip (the first one we added, or by adding other correction effects (curves, etc) AFTER the "Lumetri Color" effect. VisionColor sells some nice ones, otherwise, a good starting place is HOOK BM4KFILM2VID from Hope you like it.Gear:Panasonic Lumix GH5 (VlogL, CineD, HLG profiles using Leeming LUTs combo pack)Leica 15. Put an adjustment layer over your footage, add a "Lumetri Color" effect, and select a "look" or film emulation LUT that you like. This is test of Leeming LUTs combo pack for GH5. In the "basic correction" section, select Studd's G7 LUT from the "input LUT" dropdown > browse > downloads. Put the "Lumetri Color" effect on your clip. In Premiere, the simple way is the LUMETRI effect. It's often treated like a preset to quickly take footage that looks one way, and make it look a different, more useful way. If leeming lut gives dark result, aces gives too satured / bright highlight. Color Trasform is a resolve effects that has the best results straight out beingg applied. So a LUT is a list of instructions for your coloring software: "take this color, make it into this color". By the way: you have to dive in further correction and its a lut so you must start from a solid, well expose, well white balanced, base. Did not have my light meter so it ended up a bit brighter than I wanted. ![]() Had one tungsten light pointed at the ceiling and that was the only lighting aside from the other lamps and stuff in the room. ![]() I shot this over the weekend, and I did it by myself quick and dirty. Here are some sample pictures of what it can do. All tests we have done were with CineD all stock settings, also known as everything set to the middle. I would like for you guys to utilize this thing and report back your findings. ![]() There is still more testing to do, but there is only so much time/amount of footage we can collect on our own. Right now we are releasing the BETA of this LUT. One LUT we typically use is from Captain Hook and more recently we have started playing with some of the LUTs from ImpulZ and getting some nice stuff. We have been using it in combination with other LUTs that have been designed for the black magic and been getting pretty good results. This is meant as an input LUT so it should be toward the beginning of your stack/tree. Paul Leeming of Leeming LUT One and Visceral Psyche Films is like a dog with a bone that he just will not let go insofar as improving and updating Leeming LUT One, the world’s first unified, corrective Look Up Table (LUT) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide a. So this is a LUT that is meant to bring the colors of a G7 to more closely match the BM4k. When trying to cut back and forth between the G7 and the BM4k was kind of obnoxious and obvious and a pain to match. We have experience with a Black Magic 4k Production Camera that we typically shoot a lot of our work on, but sometimes we need a second camera so that is where the G7 comes into play. So as some of you know /u/PastramiSwissRye and I have been developing a LUT to fix the colors of the g7 because frankly they don't look very good. ![]()
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